History
The theatre was founded on November 21, 1926, based on the Belarusian Drama Studio at the Moscow Art Theatre (MKhAT). Among its first actors were famous People's Artists of the USSR who made significant contributions to the development of Belarusian culture. The original theatre building was not particularly durable, as it was constructed during difficult times with minimal resources. The modern theatre building, designed by architects Maksimov and Ryskina, was completed only in 1958. In 1944, the theatre was named after Yakub Kolas, and in 1977, it was awarded academic status. In 2001, it became a national theatre, reaffirming its high status in Belarusian cultural life.
Architecture
The theatre’s modern building is a post-war architectural monument. Its main façade, facing the Millennium Square, is designed in the form of a grand Doric portico with eight columns and a triangular pediment adorned with decorative reliefs. The side facades are decorated with rustication, pilasters, and stucco inserts, while the end façade features a four-column portico. Inside, the theatre presents a harmonious blend of classical architecture and modern functionality. The spacious auditorium accommodates 520 spectators, with a parterre and two balconies ensuring excellent visibility from any seat. Around the auditorium, there are service rooms, while the interiors are adorned with elements of theatrical art.
Excursions
A visit to the Yakub Kolas Drama Theatre is an opportunity to immerse oneself in the atmosphere of Belarusian theatrical tradition and learn about its history. Tourists can take theatre tours, exploring the stage, auditorium, and backstage areas where performances are created. An excursion from Minsk to Vitebsk includes a walk through the historical center, visits to key attractions, and a stop at the theatre. Theatre enthusiasts can book a guided tour that includes attending rehearsals, hearing stories about the theatre's legends, and learning about its outstanding actors. This is a great opportunity to experience the theatre not only as a spectator but also to glimpse behind the scenes.
